Elements of Art in the House at Tonight by Karl

The elements of art are components or parts of a work of art that tin can be isolated and divers. They are the building blocks used to create a work of fine art.

The list beneath describes each element of art. Learn near the principles of design here.

Download a student handout containing a list of the elements of fine art and their definitions. (PDF, 168KB)

Line

A line is an identifiable path created by a bespeak moving in space. Information technology is one-dimensional and tin can vary in width, direction, and length. Lines often define the edges of a class. Lines can exist horizontal, vertical, or diagonal, straight or curved, thick or thin. They lead your eye around the composition and can communicate information through their character and direction.

Horizontal lines propose a feeling of rest or repose because objects parallel to the world are at rest. In this mural, horizontal lines also help requite a sense of infinite. The lines delineate sections of the landscape, which recede into space. They as well imply continuation of the landscape beyond the picture plane to the left and correct.

Vertical lines oftentimes communicate a sense of height because they are perpendicular to the earth, extending upwardly toward the sky. In this church interior, vertical lines suggest spirituality, ascent across man attain toward the heavens.

Horizontal and vertical lines used in combination communicate stability and solidity. Rectilinear forms with 90-degree angles are structurally stable. This stability suggests permanence and reliability.

Diagonal lines convey a feeling of move. Objects in a diagonal position are unstable. Because they are neither vertical nor horizontal, they are either almost to fall or are already in motion. The angles of the ship and the rocks on the shore convey a feeling of move or speed in this stormy harbor scene.

The bend of a line can convey energy. Soft, shallow curves recall the curves of the human body and ofttimes accept a pleasing, sensual quality and a softening upshot on the composition. The edge of the pool in this photograph gently leads the eye to the sculptures on the horizon.

Shape and grade

Shape and form define objects in space. Shapes have two dimensions–summit and width–and are commonly defined by lines. Forms exist in 3 dimensions, with height, width, and depth.

Shape has only elevation and width. Shape is usually, though non always, defined by line, which tin can provide its contour. In this image, rectangles and ovals dominate the limerick. They describe the architectural details for an illusionist ceiling fresco.

Form has depth as well equally width and height. Three-dimensional form is the basis of sculpture, article of furniture, and decorative arts. Three-dimensional forms can be seen from more than than 1 side, such equally this sculpture of a rearing horse.

Geometric shapes and forms include mathematical, named shapes such equally squares, rectangles, circles, cubes, spheres, and cones. Geometric shapes and forms are often man-made. However, many natural forms also take geometric shapes. This chiffonier is busy with designs of geometric shapes.

Organic shapes and forms are typically irregular or asymmetrical. Organic shapes are often found in nature, but man-made shapes tin also imitate organic forms. This wreath uses organic forms to simulate leaves and berries.

Space

Real space is three-dimensional. Space in a work of art refers to a feeling of depth or three dimensions. It can also refer to the artist'southward apply of the area within the picture airplane. The surface area effectually the primary objects in a piece of work of art is known as negative space, while the space occupied by the primary objects is known as positive space.

Positive and negative space
The relationship of positive to negative space can greatly affect the bear upon of a work of art. In this drawing, the human and his shadow occupy the positive space, while the white space surrounding him is the negative space. The disproportionate corporeality of negative space accentuates the figure's vulnerability and isolation.

Three-dimensional infinite
The perfect illusion of three-dimensional space in a ii-dimensional work of fine art is something that many artists, such as Pieter Saenredam, labored to achieve. The illusion of space is achieved through perspective drawing techniques and shading.

Color

Light reflected off objects. Colour has 3 chief characteristics: hue (reddish, green, bluish, etc.), value (how low-cal or dark it is), and intensity (how bright or dull information technology is). Colors can exist described as warm (red, yellowish) or absurd (blue, grayness), depending on which end of the color spectrum they fall.

Value describes the brightness of color. Artists use color value to create dissimilar moods. Nighttime colors in a composition suggest a lack of light, equally in a nighttime or interior scene. Dark colors can often convey a sense of mystery or foreboding.

Low-cal colors oftentimes describe a low-cal source or light reflected within the composition. In this painting, the dark colors suggest a night or interior scene. The creative person used light colors to describe the lite created by the candle flame.

Intensity describes the purity or strength of a color. Bright colors are undiluted and are often associated with positive free energy and heightened emotions. Dull colors have been diluted past mixing with other colors and create a sedate or serious mood. In this prototype the artist captured both the seriousness and the joy of the scene with the dull gray stone interior and the bright red drapery.

Texture

The surface quality of an object that we sense through bear on. All objects have a physical texture. Artists can also convey texture visually in ii dimensions.

In a 2-dimensional work of fine art, texture gives a visual sense of how an object depicted would feel in existent life if touched: hard, soft, crude, polish, hairy, leathery, abrupt, etc. In three-dimensional works, artists utilise actual texture to add together a tactile quality to the work.

Texture depicted in two-dimensions
Artists use colour, line, and shading to imply textures. In this painting, the man's robe is painted to simulate silk. The ability to assuredly portray material of different types was ane of the marks of a great painter during the 17th century.

Surface texture
The surface of this writing desk is metallic and difficult. The hard surface is functional for an object that would take been used for writing. The shine surface of the writing desk reflects light, adding sparkle to this furniture.

moscamustrien.blogspot.com

Source: https://www.getty.edu/education/teachers/building_lessons/formal_analysis.html

Share this post